I. Bodies of Work /

i am an old phenomenon

On certain days or nights she anoints a staff and rides (Brugmansia, Angels Trumpet, snowy angel’s trumpet, angel’s tears, Datura [misleading]), 2022-ongoing. Archival pigment print on Hahnemühle Bamboo, 44 x 33 in/112 x 84 cm.

2022 ongoing

Systems of belief concerning the medicinal, magical and spiritual uses of plant materials were well established in the lives of European forest, nomadic and ancient peoples. However, these beliefs were forcibly supplanted as pagan practices were displaced across Europe and other continents in the wake of Christianity and the rise of capitalism. The consequences of the suppression and attempted erasure of this plant-based belief system continue to be profound. Knowledge, often held by women, of the healing and spiritual effects of plants has been replaced by a significantly more limited emphasis on their predominantly aesthetic qualities. This separation informs our contemporary relationship to plants as being primarily one of commodification.

The images in i am an old phenomenon are part of the re-assemblage of fragments of this old knowledge and, in their ontology, invoke the persecution of wise women, witches and wortcunners who kept this knowledge safe but whose understanding of plants and their connection with reproduction, in particular, represented a threat to the new order. All the plant sculptures photographed are constructed by the artist who has always been interested in the history of floral art and its expansive gendered resonances having worked with plants since childhood.


And as she said thanks and spoke spells (Archillia, Yarrow, Old Man’s Pepper, Devil’s Nettle, Sanguinary, Milfoil, Soldier’s Woundwort, Thousand Seal, Bad Man’s Plaything, Carpenter’s Weed, Gearwe, Hundred Leaved Grass, Knight’s Milfoil, Millefolium, Nosebleed, Herbe Militaris, Staunchweed), 2022-ongoing. Archival pigment print, 44 x 33 in/112 x 84 cm.
On certain days or nights she anoints a staff and rides (Brugmansia, Angels Trumpet, snowy angel’s trumpet, angel’s tears, Datura [misleading]), 2022-ongoing. Archival pigment print on Hahnemühle Bamboo, 44 x 33 in/112 x 84 cm.
We thank you for the gift to decide the fate of man from birth (Apple), 2022-ongoing. Archival pigment print on Hahnemühle Bamboo, 44 x 33 in/112 x 84 cm.
Sweeping her rooms and sacred places (Birch, Beithe, White Birch, Bouleau, Bereza, Lady of the Woods), 2022-ongoing. Archival pigment print on Hahnemühle Bamboo, 44 x 33 in/112 x 84 cm.
The loss of the oracle (Cornflower, Bluebottle, Hurtsickle, Bachelor’s Buttons, Bluebow, Blue Cap), 2022-ongoing. Archival pigment print on Hahnemühle Bamboo, 44 x 33 in/112 x 84 cm.
Shine even into its darkest winter (Fly Agaric), 2022-ongoing. Archival pigment print on Hahnemühle Bamboo, 44 x 33 in/112 x 84 cm.
Once upon a time forest floor (Elder, Black Elder, Boor Tree, Elderberry, Elder Bush, Pipe Tree, European Elderberry, Bour Tree, Hylder, Hylantree, Eldrum, Hollunder, Sureau, Hildemoer, Lady Ellhorn, Sweet Elder), 2022-ongoing. Archival pigment print on Hahnemühle Bamboo, 44 x 33 in/112 x 84 cm.
They served things ground to soil (Hawthorn, May, Mayblossom, Whitethorn, Quickthorn, Haw, Huath, Gazels. Halves. Hagthorn. Ladies’ Meat. Bread and Cheese Tree), 2022-ongoing. Archival pigment print on Hahnemühle Bamboo, 44 x 33 in/112 x 84 cm.
Just like her grandmother’s grandmother (Feverfew, Santa Maria, Flirtwort, Feddygen Fenyw, Gande Chamomile), 2022-ongoing. Archival pigment print on Hahnemühle Bamboo, 44 x 33 in/112 x 84 cm.
She could lie on her back and sink (Ginger), 2022-ongoing. Archival pigment print on Hahnemühle Bamboo, 44 1/8 x 33 1/8 in 112 x 84 cm.
She thinks the plants (Morning Glory, Bindweed) Hedge Bindweed, Convolvulus)., 2022-ongoing. Archival pigment print on Hahnemühle Bamboo, 44 x 33 in/112 x 84 cm.
She addressed the tree with the respectful name (Sloe Berry, Blackthorn, Spiny Shrub, Mother of the Wood, Wishing Thorn), 2022–ongoing. Archival pigment print on Hahnemühle Bamboo, 44 x 33 in/112 x 84 cm.
Loss paving the way for her new enclosure (Larkspur, Lark’s Claw, Lark’s Heels, Lark’s Toes, Knight’s Spur, Delphinium, Dolphin Flowers), 2022-ongoing. Archival pigment print on Hahnemühle Bamboo, 44 x 33 in/112 x 84 cm.
All the herbalists and I are root diggers (Roots, Root Diggers, Wortcunners, Root Men, Root Maids), 2022-ongoing. Archival pigment print on Hahnemühle Bamboo, 44 x 33 in/112 x 84 cm.
i am an old phenomenon, installation view, Bartley and Company Art, 2023, photo Cheska Brown.
i am an old phenomenon, installation view, Bartley and Company Art, 2023, photo Cheska Brown.
i am an old phenomenon, installation view, Bartley and Company Art, 2023, photo Cheska Brown.
i am an old phenomenon, installation view, Bartley and Company Art, 2023, photo Cheska Brown.
i am an old phenomenon, installation view, Denny Gallery, 2022.
i am an old phenomenon, installation view, Denny Gallery, 2022.
i am an old phenomenon, installation view, Denny Gallery, 2022.
i am an old phenomenon, installation view, Denny Gallery, 2022.
i am an old phenomenon, installation view, Denny Gallery, 2022.
i am an old phenomenon, installation view, Denny Gallery, 2022.
i am an old phenomenon, installation view, Denny Gallery, 2022.
i am an old phenomenon, installation view, Denny Gallery, 2022.
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