Detail, Doublet (After Heavenly Creatures), Parker-Hulme crime scene Port Hills, Christchurch, New Zealand, 2001. Diptych, C type prints, printed in two sizes, 72 x 90 and 120 x 150 cm each.
Doublet (After Heavenly Creatures), Parker-Hulme crime scene Port Hills, Christchurch, New Zealand, 2001. Diptych, C type prints, printed in two sizes, 72 x 90 and 120 x 150 cm each.
The Black Bach (After The Bone People), The Kaik, North Otago, New Zealand, 2003. Diptych, C type prints, printed in two sizes, 72 x 90 and 120 x 150 cm each.
Laudanum, Minnie Dean’s unmarked grave, Winton cemetery, Southland, New Zealand, 2001. Diptych, C type prints, printed in two sizes, 72 x 90 and 120 x 150 cm each.
Trespass (After Monster), Daytona Beach, Florida, USA, 2001. Diptych, C type prints, printed in two sizes, 72 x 90 and 120 x 150 cm each.
Cell (After An Angel at My Table), Seacliff Asylum, North Otago, New Zealand, 2003. Diptych, C type prints, printed in two sizes, 72 x 90 and 120 x 150 cm each.
Tracker (After Picnic at Hanging Rock), Hanging Rock, Australia, 2002. Diptych, C type prints, printed in two sizes, 72 x 90 and 120 x 150 cm each.
Installation view, Dark Matter, Auckland Art Gallery Toi o Tāmaki, 2016. Photograph by Sam Hartnett.
Installation view, Dark Matter, Auckland Art Gallery Toi o Tāmaki, 2016. Photograph by Sam Hartnett.
Installation view, Dark Matter, Auckland Art Gallery Toi o Tāmaki, 2016. Photograph by Sam Hartnett.
Installation view, Dark Matter, Auckland Art Gallery Toi o Tāmaki, 2016. Photograph by Sam Hartnett.
Installation view, Dark Matter, Auckland Art Gallery Toi o Tāmaki, 2016. Photograph by Sam Hartnett.
Installation view, Dark Matter, Auckland Art Gallery Toi o Tāmaki, 2016. Photograph by Sam Hartnett.
Installation view, Dark Matter, Auckland Art Gallery Toi o Tāmaki, 2016. Photograph by Sam Hartnett.