Doublet (After Heavenly Creatures), Parker-Hulme crime scene, Port Hills, Christchurch, New Zealand, (detail), 2001. printed in two sizes, 720 × 900mm and 1200 × 1500mm each.
Doublet (After Heavenly Creatures), Parker-Hulme crime scene, Port Hills, Christchurch, New Zealand, 2001. printed in two sizes, 720 × 900mm and 1200 × 1500mm each.
The Black Bach (After The Bone People), The Kaik, North Otago, New Zealand, 2003. printed in two sizes, 720 × 900mm and 1200 × 1500mm each.
Laudanum, Minnie Dean’s unmarked grave, Winton cemetery, Southland, New Zealand, 2001. printed in two sizes, 720 × 900mm and 1200 × 1500mm each.
Trespass (After Monster), Daytona Beach, Florida, USA, 2001. printed in two sizes, 720 × 900mm and 1200 × 1500mm each.
Cell (After An Angel at My Table), Seacliff Asylum, North Otago, New Zealand, 2003. printed in two sizes, 720 × 900mm and 1200 × 1500mm each.
Tracker (After Picnic at Hanging Rock), Hanging Rock, Australia, 2002. Diptych, C-type prints, printed in two sizes, 720 × 900mm and 1200 × 1500mm each.
public places, installation view, Dark Matter, Auckland Art Gallery Toi o Tāmaki, 2016. Photograph by Sam Hartnett.
public places, installation view, Dark Matter, Auckland Art Gallery Toi o Tāmaki, 2016. Photograph by Sam Hartnett.
public places, installation view, Dark Matter, Auckland Art Gallery Toi o Tāmaki, 2016. Photograph by Sam Hartnett.
public places, installation view, Dark Matter, Auckland Art Gallery Toi o Tāmaki, 2016. Photograph by Sam Hartnett.
public places, installation view, Dark Matter, Auckland Art Gallery Toi o Tāmaki, 2016. Photograph by Sam Hartnett.
public places, installation view, Dark Matter, Auckland Art Gallery Toi o Tāmaki, 2016. Photograph by Sam Hartnett.
public places, installation view, Dark Matter, Auckland Art Gallery Toi o Tāmaki, 2016. Photograph by Sam Hartnett.
public places, installation view, Dark Matter, Auckland Art Gallery Toi o Tāmaki, 2016. Photograph by Sam Hartnett.
